For this sequence, one of the key pieces of set dressing was a classic NYC fruit cart.
There are many ways to go about finding the right fruit cart, but in this situation we decided approaching a working fruit cart nearby and negotiating a rental deal was the ideal choice for ultimate authenticity.
So I walked up and down 6th Ave approaching different fruit vendors. As you can imagine, most of the guys working a fruit cart are not interested in entertaining little requests like this + many don't have the authority to ok a non-traditional request like this.
But I finally found, Helal, who was willing to do it. Finding out he was a Bangladeshi immigrant, I talked him up in Bangla which I learned while living in Bangladesh for two years when I was a Foreign Service Officer--who knew speaking Bangla would turn out to be so useful for set decorating in NYC?
I thought Helal and I talked about him bringing another plain umbrella for the shoot, but when we got to set we realized the only two umbrellas he had were all marked up with company brand names. In the future, I will always bring an extra back-up umbrella-lesson learned.
So then it became an issue of finding the right matching blue tape nearby to do the best "Greeking" job we could on short notice.
I'm sure when you watch that sequence for the first time your attention was focused on Ilana and her unique blend of charming and irreverent joyful charisma. I, however, was watching the blue tape.